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Basia Bulat: Hear Of My Own (Rough Trade 25/01/2010)
Written by Dave   
Sunday, 24 January 2010
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Photo: Bobby Bulat


Right from the start of this reflective and inner-peace seeking 2nd album it is prevalent that Basia Bulat has exchanged some of the carefree, enchanted abandon of her debut album, ‘Oh, My Darling’. For a deeper, duskier and more searching mood, as the marching percussion scattered ‘Go On’ testifies. The vocals linger in a mildly murky fashion to convey a hint of desperation and bemusement. That said, the stirring string inspired ‘Gold Rush’, starts off from a winding folk beginning, to embolden into an energetic, mild cacophonous, choral backing vocal inclusive parade. Bulat’s narrative is engaging and ranging, giving this mini-epic boldness and heart that is covered with a veil of darkness.

 The winding acoustic mastery of this thoughtfully poetic Canadian is decorated with her stern, yet warming vocal touch for the bracing title track. The lyrics display worrisome, emotive leanings:

“ For every word I could undo, I’ve been uncrossed and I’ve bin untrue.

  I’ve bin down, I’ve bin hard, the heart of my own burnt down low.”

Much musing is the order of the day in this twelve track foray, as a lucidly slower delivery style is generally opted for in this heart-tugging follow up. Subtle strings spindle alongside a slightly forlorn lag in ‘Sparrow’, whereby folk is stripped down to its basic qualities.

Bulat, deliberately, or not? Is giving more profile to her vocals this time around, often hovering to wretch out the  air of regret and the touches of egocentrism that’s as noticeable as blobs of ink on blotting paper, at times, ‘I’m Forgetting Everyone’ . Almost Orwellian nostalgia is espoused with help from patting percussion and a slow turning acoustic touch, ‘Once More For The Dollhouse’. This is juxtaposed with ‘Walk You Down’, when the carefree touch of the debut album returns for a bounding and carefree pop jaunt.

Basia Bulat now has two albums of ranging material from which to spice up her already much lauded and enchanting live sets.

www.basiabulat.com

www.myspace.com./basiabulat

Rating; 4/5

Catch Basia Bulat live:  27/01/2010: The Underbelly, Hoxton.
 
Dr Slaggleberry - The Slagg Factory Mini Album - (12/10/09 Crash)
Written by Ken Foster   
Sunday, 04 October 2009
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With possibly the worst band name ever, i wasn't looking forward to this one at all.
Imagine my surprise then, when it not only turns out to be original, but also engaging and compulsive.

Totally uncommercial this instrumental album at it's best harks to the Heavy ConstruKtion era King Crimson with complex time structures and jazz metal riffs.

Feed Me A Stray Cat simply blew me away with a its organised cacophony and frenzy of crazy complex riffing. It's heavy (boy is it heavy) but it's the kind of heaviness that you want to feel your chest pulsating to while your legs spasm uncontrollably and your arms become detached from your body Ian Curtis like.

13 Grades of Filth continues the onslaught while on '8 4 5' I thought they'd gone soft on us until at the 2:00 mark the merciless assault continues.

Bastard Brew starts with such a frenzied complex riff that i'm starting to thing this IS Robert Fripp (what with the masks and all). This is so good that i'm feeling honoured to have heard it before the official release date. It's Avant Metal and all that that moniker may conjure up in a twisted but brilliantly experimental future.

Rating: 4.5/5

www.myspace.com/drslaggleberry
Last Updated ( Sunday, 04 October 2009 )
 
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